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Ugly Lovely is a description to define something that might repel at first but then become beautiful.

Symbolism pushed its way in, photographs with dead birds, magnificent, hurt, in a club named after the primordial singing bird; and that’s the mode of action: he approaches stranger men at the club and asks them to photograph with a dead bird. The necrophilic layer, the emotions layer, the surprise, the threat, the spectacular sight of a boy holding a bird, struck with a spotlight.

It’s a story’s geology, something needs to be done, I thought in despair.

Gisela Torres Photos: Gisela Torres Hats: Sahar Freemantle Makeup Artist: Sara Sorrenti Hair: Jack Merrick Thirlway Model: Danielle Ifra Yuval Atzili was my student. I have known him as a teacher knows a beloved student.

There is a limit to what you can know about your students. I have taught him 2 years in Bezalel Academy of Arts and Design. I have met again a few months ago, we sat in a coffee shop, he doesn’t like coffee shops. Even people who eat everything don’t freeze that kind of birds.

Yuval would probably say “Israeli goth” and he would be right and I would be wrong, for they are all migrating birds passing through Israel, dying here with all their glory.

He doesn’t kill them, it’s important to say, Yuval is the most non creepy person I’ve met and still, I was amazed by the way he creates beauty from this death, present it, displaying it beside the bodies of young men who carry them as carrying their own death.

Transmutation was the word that came to mind the first time I saw milliner Sahar Freemantle's Magpie inspired Ugly Lovely collection.

A narrative of claws, animal horns, feathers, shredded snake skin, fossilized beetles, dried butterflies, bird skulls, etc, gave me the impression that if I wore one of her ingenious creations, I could morph into this intelligent bird.

They aim to challenge the notion of beauty by drawing ones own and contrasting it with the dark and the strange.

As well they tell a story of fearlessness allowing whoever wears these objects of art to be transformed; bringing out inner confidence and strength.

At the tip of every photograph lies the materiality, the labor, the dead bird, the masculine body, the boyish body; And similarly there are the two brothers, the twins, one brother holding the other, a hug or a first grasping in front of the world; And when he spoke, I suddenly thought of a child, who must recreate a scene over and over again; The methods improves but the tongue is repeating the old saying “this is me and my brother”, pointing the truth, does things with words; or in Biton’s words “Dogan won life itself. The meticulous execution (each extra-fine brushstroke adding an important detail), the resulting life-like renditions and the consistent format (monochromatic black on white; identical one-size ceramic plates) adhere to the ethos of scientific study.